Oh! And my new home page is up and running!
The whole site should be up next week.
Wednesday 6 August 2008
yesterday, today, tomorrow
This week is about running performance modes to determine elements for a score that I can work from over the coming weeks and probably into the performance itself.
yesterday was experimenting with types of projections onto my body to see which ones might work easily and effectively in an improvised performance. clips of interesting ones here. This clip is also scattered with another random echoing which I can get to 3 layers (2 video and 1 live) when it's dark and stormy outside! otherwise it's too bright in the studio.
Today I'm going to try and run at least a 1 hour long performance.
Tomorrow I will be adding a second projector and third monitor.
yesterday was experimenting with types of projections onto my body to see which ones might work easily and effectively in an improvised performance. clips of interesting ones here. This clip is also scattered with another random echoing which I can get to 3 layers (2 video and 1 live) when it's dark and stormy outside! otherwise it's too bright in the studio.
Today I'm going to try and run at least a 1 hour long performance.
Tomorrow I will be adding a second projector and third monitor.
Tuesday 5 August 2008
I like to watch.
Short clip from yesterday's rehearsal. Contentwise it doesn't look much different from other stuff I've been doing, but some important revelations or points of clarification came out of yesterday's rehearsal.
At the moment, I am my audience. I'm setting up a space where I can watch people and build a composition out of their sounds and movements. Judging from the feedback I've received so far, this isn't totally alienating my whole audience, but more to this point about me being my own audience: I've created a structure that I'm fascinated with. This is a step that I think all performers must go through at some point and I don't necessarily think it's a bad thing to be your own audience. Why on earth would you be creating something that you weren't interested in? The danger is when there is little or nothing for other people to get from it. I must be doubly vigilant about this because of my past as a camera person. I love observing people and recording what I observe so that other people can see what I see. So it seems only natural to me that I've created a performance space where I can observe and react to what I've observed. I like to watch. I think most people do, and I seem to be trying to create a setup where I can continue to watch; and I hope it is also a space where a good chunk of my audience is also enjoying watching and walks away satisfied with their experience. I know I can't please everyone. Perhaps I also need to be careful of this assumption and try harder to please more people. Interesting challenge....
Getting bogged down into thoughts, need to jot down some other notes and get on with the practical stuff:
- explore projection onto body parts. requires some intentionality. How to do this on the fly? Try some different strategies.
- workshop vs open studio vs performance: what would a workshop with audience members look like? what are people's expectations of coming to an open studio vs a workshop? What would I do with people in an open studio vs. workshop?
- establish the level of "road map" that I'm going to give me audience. What needs to be communicated to an audience to give them enough structure to get something out of the performance but still allow them freedom to approach the performance on their own terms (or at least feel that they have)?
Time alone in the studio is when I work on becoming comfortable with the setup I have and working out technological issues. I can't really figure out the issues related to my audience without them in the space. I hope people come to the Tues-Thurs afternoon sessions.
At the moment, I am my audience. I'm setting up a space where I can watch people and build a composition out of their sounds and movements. Judging from the feedback I've received so far, this isn't totally alienating my whole audience, but more to this point about me being my own audience: I've created a structure that I'm fascinated with. This is a step that I think all performers must go through at some point and I don't necessarily think it's a bad thing to be your own audience. Why on earth would you be creating something that you weren't interested in? The danger is when there is little or nothing for other people to get from it. I must be doubly vigilant about this because of my past as a camera person. I love observing people and recording what I observe so that other people can see what I see. So it seems only natural to me that I've created a performance space where I can observe and react to what I've observed. I like to watch. I think most people do, and I seem to be trying to create a setup where I can continue to watch; and I hope it is also a space where a good chunk of my audience is also enjoying watching and walks away satisfied with their experience. I know I can't please everyone. Perhaps I also need to be careful of this assumption and try harder to please more people. Interesting challenge....
Getting bogged down into thoughts, need to jot down some other notes and get on with the practical stuff:
- explore projection onto body parts. requires some intentionality. How to do this on the fly? Try some different strategies.
- workshop vs open studio vs performance: what would a workshop with audience members look like? what are people's expectations of coming to an open studio vs a workshop? What would I do with people in an open studio vs. workshop?
- establish the level of "road map" that I'm going to give me audience. What needs to be communicated to an audience to give them enough structure to get something out of the performance but still allow them freedom to approach the performance on their own terms (or at least feel that they have)?
Time alone in the studio is when I work on becoming comfortable with the setup I have and working out technological issues. I can't really figure out the issues related to my audience without them in the space. I hope people come to the Tues-Thurs afternoon sessions.
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