Taking a stab at an answer. Sound.

So, in my last post I mentioned that I do believe that I walked away from this piece being most interested in the sonic dimensions of it. For me, this means that I'll be moving away from the format I used for the Nunnery show–something I was quite sure was going to happen anyway, but wanted to see out while I learned more about technology I need to learn. Right, so that was vague.

Clues about what I'm interested in: the artists I've come across that excite or interest me, they're all from music backgrounds!

Overall performance and fluid use of technology without getting stuck behind it:

• Laurie Anderson
  Looking at retrospective texts of her work, she has dipped her fingers into all sorts of interesting areas. I'll post a more thorough bit about particular pieces that interest me when I've read, listened, watched more.
  
• Pamela Z (thanks Lucy!)
  Looked at this video and went "yeah, that's essentially what I want to do!" Of course, I don't have a body synth or operatic training; and I want to consider the performance space more than projections, equipment, me. But really, amazingly inspirational stuff and very closely aligned to my interests.
  

Others:
- Meredith Monk (I like the fact that she started as a dancer)
- Christian Wolz (came across him when looking at descriptions of the Giving Voice festival at Center for Performance Research the end of the month)
- the "gibberish" muses from my goth past: Lisa Gerrard (Dead Can Dance) and Liz Fraser (Cocteau Twins)