This was a weekend of experimental music. Started on Friday with a trip to the ICA for the first night of the "Atlantic Waves" festival which was being put on as part of the Wire's 25th anniversary. Full house for 3 sets that took solo artists and put them together for live improvisations. Two of the sets had video. The last video set wasn't bad, (I got to meet the artist at a gig on Sunday, but for some reason was confused and thought he had performed on Saturday...). This photo below is of one of the artists he performed with, but I don't think the visuals are his. The image is more to illustrate the vibe at these things...
I thought the best set was the second one without any visuals. There wasn't anything inherently more gripping about the stage presence of this group. What was effective was that they chose to perform in near darkness. There was a little bit of blue light, a dull glow off the video screen, and the light from some of the laptops. This cut a beautiful silhouette of their shapes, which was nice to look at when you felt like opening your eyes, but otherwise clearly instructed the audience members to
listen. Paul commented afterwards that his mind had wandered in and out of listening to the music, but when it wandered it ended up thinking the most creative thoughts. The same thing had happened to me!
On Sunday, we went to a church in Islington and heard more experimental music. Most of the musicians at this gig were playing accoustic instruments or home-made electronics (as opposed to laptop). They also seemed to have more presence as performers overall. Joao (the video artist from Friday) was playing a bell for one set and at a point, he decided it would be a good idea to wander around the church with the bell creating a nice visual and aural effect. There was also a double bass player who was incredible to watch. His body was intensely engaged in his playing and he had a manner to his movement that almost made it look like a dance duet between the double bass and himself. Particularly effective because the double bass is about the same size as a person. Musicians like this are what I think of when I hear the word "embodiment". He and his instrument were one entity and playing it was like breathing to him. I could've watched him play for hours. And he seemed like he could have played for days.
Don't have his name with me at the moment. Will update this when I do. Please kick me for not introducing myself and getting his contact info.
I'm need to briefly rant about boring visuals and lack of stage presence at these types of events. I often sense that reclusive musicians might think that video will allow them to get lost in the visuals or distract the audience from looking at them when in fact, the video is making the audience watch more intently. I've worked with alot of shy musicians and we usually end up figuring out how they could "hide" better, including putting a dancer in front of the screen so the focus will be on
them. Now, of course, I'd like to work with musicians who want to find more interesting ways to deal with being on stage and work towards a sense that everything happening between performers, instruments, technology, etc is a coherent whole. Maybe it's improvised, but there's an intention to communicate a total experience to the audience. (Golly, what do I mean by that? Gonna leave it in anyway.)
